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Many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia , including Arthur's father Uther Pendragon , the wizard Merlin , Arthur's wife Guinevere , the sword Excalibur , Arthur's conception at Tintagel , his final battle against Mordred at Camlann , and final rest in Avalon.
In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table.
Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century.
In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media.
The historical basis for the King Arthur legend has long been debated by scholars. One school of thought, citing entries in the Historia Brittonum History of the Britons and Annales Cambriae Welsh Annals , sees Arthur as a genuine historical figure, a Romano-British leader who fought against the invading Anglo-Saxons some time in the late 5th to early 6th century.
The Historia Brittonum , a 9th-century Latin historical compilation attributed in some late manuscripts to a Welsh cleric called Nennius , contains the first datable mention of King Arthur, listing twelve battles that Arthur fought.
These culminate in the Battle of Badon , where he is said to have single-handedly killed men. Recent studies, however, question the reliability of the Historia Brittonum.
The other text that seems to support the case for Arthur's historical existence is the 10th-century Annales Cambriae , which also link Arthur with the Battle of Badon.
The Annales date this battle to —, and also mention the Battle of Camlann , in which Arthur and Medraut Mordred were both killed, dated to — These details have often been used to bolster confidence in the Historia 's account and to confirm that Arthur really did fight at Badon.
Problems have been identified, however, with using this source to support the Historia Brittonum' s account. The latest research shows that the Annales Cambriae was based on a chronicle begun in the late 8th century in Wales.
Additionally, the complex textual history of the Annales Cambriae precludes any certainty that the Arthurian annals were added to it even that early.
They were more likely added at some point in the 10th century and may never have existed in any earlier set of annals. The Badon entry probably derived from the Historia Brittonum.
This lack of convincing early evidence is the reason many recent historians exclude Arthur from their accounts of sub-Roman Britain. In the view of historian Thomas Charles-Edwards , "at this stage of the enquiry, one can only say that there may well have been an historical Arthur [but Even so, he found little to say about an historical Arthur.
Partly in reaction to such theories, another school of thought emerged which argued that Arthur had no historical existence at all. Morris's Age of Arthur prompted the archaeologist Nowell Myres to observe that "no figure on the borderline of history and mythology has wasted more of the historian's time".
He owes his place in our history books to a 'no smoke without fire' school of thought The fact of the matter is that there is no historical evidence about Arthur; we must reject him from our histories and, above all, from the titles of our books.
Some scholars argue that Arthur was originally a fictional hero of folklore—or even a half-forgotten Celtic deity —who became credited with real deeds in the distant past.
They cite parallels with figures such as the Kentish Hengist and Horsa , who may be totemic horse-gods that later became historicised.
Bede ascribed to these legendary figures a historical role in the 5th-century Anglo-Saxon conquest of eastern Britain. Neither the Historia nor the Annales calls him " rex ": Historical documents for the post-Roman period are scarce, so a definitive answer to the question of Arthur's historical existence is unlikely.
Sites and places have been identified as "Arthurian" since the 12th century,  but archaeology can confidently reveal names only through inscriptions found in secure contexts.
The so-called " Arthur stone ", discovered in among the ruins at Tintagel Castle in Cornwall in securely dated 6th-century contexts, created a brief stir but proved irrelevant.
The origin of the Welsh name "Arthur" remains a matter of debate. The most widely accepted etymology derives it from the Roman nomen gentile family name Artorius.
In Welsh poetry the name is always spelled Arthur and is exclusively rhymed with words ending in -ur —never words ending in -wr —which confirms that the second element cannot be [g]wr "man".
An alternative theory, which has gained only limited acceptance among professional scholars, derives the name Arthur from Arcturus , the brightest star in the constellation Boötes , near Ursa Major or the Great Bear.
The creator of the familiar literary persona of Arthur was Geoffrey of Monmouth , with his pseudo-historical Historia Regum Britanniae History of the Kings of Britain , written in the s.
The textual sources for Arthur are usually divided into those written before Geoffrey's Historia known as pre-Galfridian texts, from the Latin form of Geoffrey, Galfridus and those written afterwards, which could not avoid his influence Galfridian, or post-Galfridian, texts.
The earliest literary references to Arthur come from Welsh and Breton sources. A academic survey that does attempt this by Caitlin Green identifies three key strands to the portrayal of Arthur in this earliest material.
Some of these are human threats, such as the Saxons he fights in the Historia Brittonum , but the majority are supernatural, including giant cat-monsters , destructive divine boars , dragons, dogheads , giants , and witches.
On the one hand, he launches assaults on Otherworldly fortresses in search of treasure and frees their prisoners. On the other, his warband in the earliest sources includes former pagan gods, and his wife and his possessions are clearly Otherworldly in origin.
One of the most famous Welsh poetic references to Arthur comes in the collection of heroic death-songs known as Y Gododdin The Gododdin , attributed to 6th-century poet Aneirin.
One stanza praises the bravery of a warrior who slew enemies, but says that despite this, "he was no Arthur" — that is, his feats cannot compare to the valour of Arthur.
The Welsh prose tale Culhwch and Olwen c. The story as a whole tells of Arthur helping his kinsman Culhwch win the hand of Olwen , daughter of Ysbaddaden Chief-Giant, by completing a series of apparently impossible tasks, including the hunt for the great semi-divine boar Twrch Trwyth.
The 9th-century Historia Brittonum also refers to this tale, with the boar there named Troy n t. The later manuscripts of the Triads are partly derivative from Geoffrey of Monmouth and later continental traditions, but the earliest ones show no such influence and are usually agreed to refer to pre-existing Welsh traditions.
In addition to these pre-Galfridian Welsh poems and tales, Arthur appears in some other early Latin texts besides the Historia Brittonum and the Annales Cambriae.
In particular, Arthur features in a number of well-known vitae " Lives " of post-Roman saints , none of which are now generally considered to be reliable historical sources the earliest probably dates from the 11th century.
Cadoc delivers them as demanded, but when Arthur takes possession of the animals, they turn into bundles of ferns. A less obviously legendary account of Arthur appears in the Legenda Sancti Goeznovii , which is often claimed to date from the early 11th century although the earliest manuscript of this text dates from the 15th century and the text is now dated to the late 12th to early 13th century.
He incorporates Arthur's father, Uther Pendragon , his magician advisor Merlin , and the story of Arthur's conception, in which Uther, disguised as his enemy Gorlois by Merlin's magic, sleeps with Gorlois's wife Igerna Igraine at Tintagel , and she conceives Arthur.
On Uther's death, the fifteen-year-old Arthur succeeds him as King of Britain and fights a series of battles, similar to those in the Historia Brittonum , culminating in the Battle of Bath.
He then defeats the Picts and Scots before creating an Arthurian empire through his conquests of Ireland, Iceland and the Orkney Islands.
After twelve years of peace, Arthur sets out to expand his empire once more, taking control of Norway, Denmark and Gaul.
Gaul is still held by the Roman Empire when it is conquered, and Arthur's victory naturally leads to a further confrontation between his empire and Rome's.
Arthur and his warriors, including Kaius Kay , Beduerus Bedivere and Gualguanus Gawain , defeat the Roman emperor Lucius Tiberius in Gaul but, as he prepares to march on Rome, Arthur hears that his nephew Modredus Mordred —whom he had left in charge of Britain—has married his wife Guenhuuara Guinevere and seized the throne.
Arthur returns to Britain and defeats and kills Modredus on the river Camblam in Cornwall, but he is mortally wounded. He hands the crown to his kinsman Constantine and is taken to the isle of Avalon to be healed of his wounds, never to be seen again.
How much of this narrative was Geoffrey's own invention is open to debate. Certainly, Geoffrey seems to have made use of the list of Arthur's twelve battles against the Saxons found in the 9th-century Historia Brittonum , along with the battle of Camlann from the Annales Cambriae and the idea that Arthur was still alive.
Whatever his sources may have been, the immense popularity of Geoffrey's Historia Regum Britanniae cannot be denied. Well over manuscript copies of Geoffrey's Latin work are known to have survived, and this does not include translations into other languages.
While it was by no means the only creative force behind Arthurian romance, many of its elements were borrowed and developed e.
The popularity of Geoffrey's Historia and its other derivative works such as Wace 's Roman de Brut is generally agreed to be an important factor in explaining the appearance of significant numbers of new Arthurian works in continental Europe during the 12th and 13th centuries, particularly in France.
There is clear evidence that Arthur and Arthurian tales were familiar on the Continent before Geoffrey's work became widely known see for example, the Modena Archivolt ,  and "Celtic" names and stories not found in Geoffrey's Historia appear in the Arthurian romances.
Whereas Arthur is very much at the centre of the pre-Galfridian material and Geoffrey's Historia itself, in the romances he is rapidly sidelined.
So, he simply turns pale and silent when he learns of Lancelot's affair with Guinevere in the Mort Artu , whilst in Yvain, the Knight of the Lion , he is unable to stay awake after a feast and has to retire for a nap.
Lacy has observed, whatever his faults and frailties may be in these Arthurian romances, "his prestige is never—or almost never—compromised by his personal weaknesses However, the most significant for the development of the Arthurian legend are Lancelot, the Knight of the Cart , which introduces Lancelot and his adulterous relationship with Arthur's queen Guinevere , extending and popularising the recurring theme of Arthur as a cuckold , and Perceval, the Story of the Grail , which introduces the Holy Grail and the Fisher King and which again sees Arthur having a much reduced role.
Perceval , although unfinished, was particularly popular: The most significant of these 13th-century prose romances was the Vulgate Cycle also known as the Lancelot-Grail Cycle , a series of five Middle French prose works written in the first half of that century.
The cycle continued the trend towards reducing the role played by Arthur in his own legend, partly through the introduction of the character of Galahad and an expansion of the role of Merlin.
During this period, Arthur was made one of the Nine Worthies , a group of three pagan, three Jewish and three Christian exemplars of chivalry.
The Worthies were first listed in Jacques de Longuyon 's Voeux du Paon in , and subsequently became a common subject in literature and art. The development of the medieval Arthurian cycle and the character of the "Arthur of romance" culminated in Le Morte d'Arthur , Thomas Malory 's retelling of the entire legend in a single work in English in the late 15th century.
Malory based his book—originally titled The Whole Book of King Arthur and of His Noble Knights of the Round Table —on the various previous romance versions, in particular the Vulgate Cycle, and appears to have aimed at creating a comprehensive and authoritative collection of Arthurian stories.
The end of the Middle Ages brought with it a waning of interest in King Arthur. Although Malory's English version of the great French romances was popular, there were increasing attacks upon the truthfulness of the historical framework of the Arthurian romances — established since Geoffrey of Monmouth's time — and thus the legitimacy of the whole Matter of Britain.
So, for example, the 16th-century humanist scholar Polydore Vergil famously rejected the claim that Arthur was the ruler of a post-Roman empire, found throughout the post-Galfridian medieval "chronicle tradition", to the horror of Welsh and English antiquarians.
In the early 19th century, medievalism , Romanticism , and the Gothic Revival reawakened interest in Arthur and the medieval romances.
A new code of ethics for 19th-century gentlemen was shaped around the chivalric ideals embodied in the "Arthur of romance".
This renewed interest first made itself felt in , when Malory's Le Morte d'Arthur was reprinted for the first time since Tennyson's Arthurian work reached its peak of popularity with Idylls of the King , however, which reworked the entire narrative of Arthur's life for the Victorian era.
It was first published in and sold 10, copies within the first week. This interest in the "Arthur of romance" and his associated stories continued through the 19th century and into the 20th, and influenced poets such as William Morris and Pre-Raphaelite artists including Edward Burne-Jones.
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An alternative version of the King Arthur legend. As a boy, Arthur is left orphaned after his father, King Uther Pendragon, and mother are killed in a war waged against them by Vortigern, who then assumes the throne.
Arthur flees and is raised in a brothel, knowing very little of his birthright. Vortigern wants Arthur dead, to ensure there is no claimant to the throne.
The legends foretell that only the next king will be able to draw Excalibur, Uther's sword, from the rock where it is lodged. So, in an effort to identify Arthur, Vortigern forces all the young men of Arthur's age to attempt to draw out the sword.
Now it is Arthur's turn. The true test of a fantastic movie is when you get immersed in it. When the show grabs your attention at the onset and keeps you interested the entire time.
Your mind doesn't wander about anything else but whats happening on the silver screen. And that is precisely what this movie does. Loved the beginning with the fantasy action.
Immediately developed a dislike for the villain well played by Law. Charlie Hunnam had the presence and moxie to carry the lead role for the first time.
Most characters were very well developed and the story line was tight. Really enjoyed the soundtrack too.
Entertainment at its finest. Don't let the critics on Rotten Tomatoes fool you. Sadly the critics only want to give a movie a great rating when there's an oppressed group wronged, and this movie is not that.
Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
Keep track of everything you watch; tell your friends. Full Cast and Crew. Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city.
But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
Related News Hollywood loves money: English-Language Movie Releases of the Month. Share this Rating Title: Legend of the Sword 6.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Charlie Hunnam Through the Years.
Learn more More Like This. The Great Wall I Tom Hiddleston, Samuel L.
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